Haunting Paranormal: Ghost Story Collection – Review of Series Openers from M.L. Bullock’s

Have you ever ordered a sampler at a restaurant?  Let’s take the seafood sampler for example. There might be a couple of crab legs on your plate, some fried shrimp and tartar sauce.  Throw in some garlicky scallops, a lobster tail and you’re all set. 

I read a sampler a couple years back. I’m just getting around to writing about it now.  Don’t worry, I’m refreshed. Try refreshing two year old scallops though, that may not turn out so well. 

I reread and/or skimmed through the stories of M L Bullock’s Haunting Paranormal Ghost Story Collection, which is a collection of firsts from various series.  I saw this book advertised on Facebook at a very generous price.  Of course I can’t remember what I paid; perhaps a few dollars?  It was a kindle book.  Also, I can’t recall if it was an advert or if I was already following Bullock.  Whatever the case may be, the promotion worked on me (that rhymed) and I bought the book. 

Need I say each story contains a haunted house?  Mostly these are manors and each one has a story to tell, having hosted successive generations within their walls. Whether plantation  manors or mansions unassociated with a spread of land, they are houses of the American South.  Hence,   M. L Bullock is known as “The Queen of Southern Gothic”.  Don’t believe me?  Check out her website and see for yourself!  You’ll have to scroll down a bit.  She shows off this title in bold, colorful print. Guess I can be the King of the Houses of the Haunted if I just get my fonts right.  

 Bullock’s writing style is, well, it’s her style. Some will love it, others no. I’m somewhere in between. She’s overly descriptive  when detailing the heroine’s daily apparel or hairstyle choices. At least for my tastes. She is quite prolific, being the author of several long series. How does she pump out so much material?  For one thing, the books within the series are not very long (at least not the books that begin each series). Second, her works are very formulaic. 

Nevertheless, Bullock  is a good story teller, skilled at wrapping the reader in her worlds, both modern and historical. Had this not been the case, I wouldn’t have made it through these five stories (although with one of them I was tempted to quit).  They are:

Seven Sisters 

The Haunting of Joanna Storm

The Belles of Desire, Mississippi 

Wife of the Left Hand 

The Ghosts of Kali Oka Road

This article will touch on each story in brief, examining plot, and offering opinions. As to this last point, I will finish each succession with a “Yes”, “No”, or “Maybe”.  What are these? Well, they are answers, you see. This implies the preexistence of some kind of question, doesn’t it?   The question is: Does this introductory book entice me to read other books in the series?

First, let’s get the formula out of the way. This applies to most of the five stories, if not all.

A female protagonist finds herself in a new house or city in the American South.  Things in the new place are not exactly normal. They are, shall we say, “para” normal. Ghostly goings-ons are afoot. Sometimes the event is subtle, causing the heroine to dismiss it. Other times the event is striking, leaving no doubt the house is haunted.

A large chunk of the story will take place in historical times. Sometimes it’s half of the story, and in other cases only snippets of the past leak onto the page. In all cases, the protagonist experiences the past as if she were there as an eyewitness watching a haunting history unfold. Hence, there are two timelines, the present and the past, and the workings of the paranormal to connect the two. The means to this time bridge she crosses differ slightly from story to story.

In most of these stories, there is mystery surrounding the fate of a woman from the past who once resided in the haunted house. Either she disappeared during her lifetime or the final fate of the woman (who is a victim of some tragedy or loss) is lost to history. It is the duty of the protagonist to solve the mystery.

The protagonist’s appearance is described in great detail. Hair color or style, manner of dress, from blue jeans and t-shirts to grand dresses or yore. This description applies to her male love interest as well.  In every story, there is romance or hints at romance, earning these stories the genre badge of “Southern Gothic Romance.”

Finally, all these stories end abruptly.  It’s as if there is a built-in alarm that rudely blares, catching the reader off guard. Content with the story pacing, enthusiastic to complete the last stretches of the journey, then all of a sudden,  a hidden voice comes out of nowhere and shouts, “Last call for alcohol! Drink ’em up, we’re closing in 10 minutes!” Conclusions are fast, unsatisfactory, and forced, with many questions left unanswered. I guess this is where the reader is supposed to grasp quickly at the next book of the series. Hurry! Go to Amazon, buy and download. Damn! Slow wifi. OMG, does my device have enough charge? (As I write this, I  am reminded to charge my tablet. Seriously, I might have gone to bed with no power to read anything before sleep. The horrors!)

Obviously, I didn’t rush to buy any sequels, for as I stated, I’m going to reveal my yes-maybe-no answers concerning the prospects of continuing any of the series. However, I did finish this entire book, which means, despite how much I seem to be bashing these stories, I did discover things I liked.  I like the worlds Bullock creates, both past and present.  The characters are interesting. Bullock does take the time to build idiosyncrasies into their makeup.  And the stuff of ghosts and haunted houses are spooky and fun!  

Okay, enough of all that. Let’s explore each story in more detail, shall we?


 Seven Sisters

Carrie Jo,  just out of a relationship, is hired to assess the inventory of antiques inside Mobile, Alabama’s Seven Sisters Manor (former plantation), with the end goal being to convert the premises into a museum.  She is well qualified. She is a historian and has a team at her disposal to assist in renovation and research. She falls in love with Ashland, her boss, and the current owner of the estate.

She also has a special ability when it comes to dreams.  When she sleeps in the presence of artifacts, or inside an old house, her dream  transports her back in time, where she can witness the happenings from a long time ago. 

In her dream state, she is transported from  the twenty-teens to the eighteen-forties, where she witnesses the life of Calpurnia Cottonwood, the teen daughter of the former owner of Seven Sisters. Poor Calpurnia went missing sometime in the 1850s. Readers, through Carrie’s dreaming eyes, learn how she fell in love with a sailor who happened to be passing through Mobile. We feel for her when she is abused by her drunken father. The dreams tell us of other relationships from the past. How slaves interact with their masters, how slaves interact with each other. 

Carrie Joe, when exploring the manor in modern times, witnesses doors opening and closing. Could this be the activities of a Calpurnia’s ghost?

All in all, a very interesting piece of historical fiction with fine, ghostly elements.

Will I read on?  

Let me show you what I would be up against if I took on this task.

Will you look at this loooooong list?  Oh Good Lord!

SEVEN SISTERS

#1 Seven Sisters

#2 Moonlight Falls on Seven Sisters

#3 Shadows Stir at Seven Sisters

#4 The Stars That Fell

#5 The Stars We Walked Upon

#6 The Sun Rises Over Seven Sisters

#7 Beyond Seven Sisters

#8 Silent Night, Haunted Night

#9 Haunted Halls of Rosegate Manor

#10 Terror at Mossy Oak

#11 Dark Angel of Selma

#12 Silent Chapel

#13 Angel Terrible

#14 Tangled Garden

The Ultimate Seven Sisters Collection

Seven Sisters Collection Vol. 1

Seven Sisters Collection Vol. 2

Seven Sisters Collection Vol. 3

Seven Sisters Collection Vol. 4

Bonus Christmas at Seven Sisters

Bonus The Ghost on the Swing

I think it would be a more worthwhile experience if I just simply read War and Peace or Moby Dick.  As interesting as this story is, the answer is No, I shall not trudge in this field of overgrown weeds. 


The Haunting of Joanna Storm  (Book 1 of 3 in the Morgan’s Rock series)

It’s a house on the rock, overlooking the ocean, somewhere in Florida. Meagan, a writer, has leased the big, old house. There, she will work on her latest book.  It has several floors and a clocktower. Gotta love a house with a clock tower!

Oh, guess what?  It’s haunted.  Meagan sees ghosts in mirrors, hears disembodied shuffling. A mysterious maid shows up at her door one day, claiming to have been hired by Meagan’s agent.  Be wary of mysterious maids in haunted house stories.

Once upon a time, Joanna Storm lived at Morgan’s Rock.  A Hollywood starlet , Joannna lost her parents at a young age. Her father “accidentally” fell off the rock and into the ocean. In her time at Morgan’s Rock, she too heard disembodied shuffling, along with whispers. She had friends, colleagues, enemies and lovers who died tragically.  The strange thing is, no one in modern times seems to know what happened to Joanna Storm. History itself shrugs its shoulders and mutters, “Beats me.”

Meagan, as per Bullock’s formula, will visit Joanna’s timeline.  This usually happens when she encounters an item in the house that once belonged to her, such as a scarab necklace. In fact, when she dons Joanna’s dress, she becomes her! 

This story doesn’t grab me as much as Seven Sisters, but it is a mercifully short trilogy.  So, will I read on?My answer is Maybe


The Belles of Desire, Mississippi 

This story is from The Ghosts of Summerleigh, a four book series.  It takes place in Mississippi. 

Harper Lee, a dying patient at a resident care home, forms an attachment to Jerica, one of the employees of the care home. When Harper passes, she bequeaths her family home to Jerica. Jerica is now the owner of the Summerleigh estate, which includes a grand ol’ house with multiple floors, a large chunk of land, on which a small cottage stands.

There is a catch – Lee has tasked Jerica with uncovering the mystery of what happened to Jeopardy Belle, Jerica’s older sister, who went missing in her early teens.  It is more of a plea rather than a clause within the will. However, Jerica is sensitive to Harper’s wishes and will do what she can to solve the mystery.

Jerica moves in, but stays in the cottage, not the main house. Why?  Too many ghosts are floating about in there (don’t know if they are actually “floating”, my words, not Bullocks, not Jericas)  Who are these ghosts? Turns out, there are layers of ghosts, just like layers on a cake.  Ghosts of Belles, ghosts of family/residents before the Belles. And even Jerica’s own baby boy, who she lost in a car accident, appears (although his is drawn to his mother, not the house)

Like with the other books in this review, there are two timelines. First, there’s the modern day, which includes the whole Jerica storyline. This takes place in the twenty teens.  And oh, how can I forget, Jerica has a love interest.  He helps out at a restaurant in the nearby town and happens to be a handy maintenance man and Jerica could sure use a man like that to help restore the house. I’m sure he satisfies her in other ways too.  Okay – Love interest plot covered.  Let’s go back to the good ol’ days.,

The second timeline takes place in the 1940s. The four Belle sisters (or is it five? I’m forgetting) live with their mother. Father is away a lot. When he is gone, mother is mean, especially to the oldest girl Jeopardy.  Jeopardy rebels by hanging with the wild crowd, smoking, drinking and skinny dipping. One night she goes out and never returns.

How are these timelines connected?  Through Jerica’s dreams, she learns of the past,  much like the Carrie Jo character in the Seven Sisters story.  The difference – Carrie Jo possessed this dream time-travel ability before the events of the story. Jerica has no such superpower. But after Harper’s passing, she dreams of the life of the Belle sisters as seen through Harper’s eyes. I guess Harper’s spirit is passing the info along to her in her dreams.  Perhaps Bullock, knowing she already had a story about a “dream sensitive”, didn’t feel like using a clone character, so she decided Jerica would dream of the past in such a way to miraculously plot itself out like   chapters in a book.

The book’s ending is not as sudden as Bullock’s other novels. This is the best of the five books.  I really appreciate the different character traits of the Belles sisters. The mother, father, Jeopardy’s sort-of boyfriend, all fit into the story well. There was enough depth to convince me this was a real family (of course it’s fictional).

So, will I read on?  There is only three books total, so My answer is Yes.


Wife of the Left Hand

This is book 1 of 4 of the Sugar Hill Series.  For a change, let’s begin with the past. A wealthy son of a plantation owner takes Susana to be his wife. This is a morganatic marriage, also called a left-hand marriage. Simply stated, it’s the pairing of two people of unequal social class. In this case, Susana is from the lower social ranks. It falls on her to earn the privilege of being the wife of one of the most promising young rich men in the area.  But when she is accused of adultery because of a situation that is not her fault, she is ostracized by not only her husband’s family but by her own mother as well. However, the mother will do what is necessary to secure this marriage. In the end, they will use witchcraft to bind Susana to her husband. But this comes at a great cost.

All this takes place in Fontaine, Alabama somewhere in the mid 1800s. Fast forward 150-160 years, we meet Avery Dufresne, a famous  newscaster who is nearly murdered by an unknown assailant. He is still on the loose and she needs to hide. Coincidentally, she is invited to take refuge out of state and live in her family’s mansion. She was unaware that she had an extended family, not to mention a mansion to go along with them.  This is the same mansion that Susana lived in with her husband.  Her great aunt, the family matrone, places a ring on Avery’s finger, which signifies she is to be the new family head with powers to control the finances.

There are plenty of ghosts around the mansion creeping about and waking Avery up at night. Some ghosts disguise themselves in the skin of the living.  She encounters people and has long conversations with them only to find out they have long since passed.

Through  video tapes, her deceased great-great grandmother “interviews”  Avery. Somehow, even before Avery was born, this grandmother knew Avery was destined to be the matrone. These tapes reveal family history; history that even this  great-great grandmother would have been too young to have experienced.  This would be the history of Susana. Could Susana be haunting this mansion?

Did I forget to mention Avery is dating a rock star?  I did. Now it is mentioned. There – the love story is covered.

So, will I read on?  There is much substance to this layered story, and the mystery surrounding this huge and complicated family is intriguing. Why do they need an appointed matrone every generation?  

But it doesn’t grab me as much as The Belles of Desire, Mississippi. That series has a total of three books and this one has four, so my answer is Maybe.


The Ghosts of Kali Oka Road

Last and least, The Ghosts of Kali Oka Road is book 1 of 15 of Golf Coast Paranormal Series.  Unlike the other books in this review, this story takes place mostly in the present day (yadda-yadda 2012? 2013? 2014?). However, there are two events relevant to the current-day story that happened in the past.  Back in the awesome 80s (when little ol’ me was a teen), a jock takes a popular girl from school out to the woods, hoping for some hanky-panky (not an 80’s phrase, oh well). Needless to say, things don’t go his way.  Her refusal was not totally unexpected. What was shocking and downright terrifying was the thing from the sky that flew down and whisked his date away.  It looked like a giant owl. She was never seen again.

Jock dude was the last person to see her so he was the prime suspect in her disappearance . However, there was no evidence to charge him with anything.

About one hundred and forty years before this, a woman escapes from her abusive husband with the help of their male slave.  The slave is also her secret lover.  While on Kali Oka Road, she disappears. I do believe that owl-thing is involved in her vanishing.

Now for the present. Cassidy is blessed/cursed with a paranormal skill – she can paint things that happened many years ago.  She paints events with amazing detail. She captures things which only someone at the scene would know. She paints a depiction of the aforementioned woman fleeing down the road.  When she touches the painting, she goes into a trance and is transported back in time.

Cassidy joins the Gulf Coast Paranormal group to investigate the ghostly phenomena on Kali Road.  They explore the mansion the woman lived in, which is connected to the road via a wooded trail.

Oh yeah, the house is haunted.

Oh yeah 2, Cassidy has a love interest, some dude from the paranormal group.

Most of the pages in this story focus on the young men and women in this paranormal group. I don’t really care for these characters. Seems like this group of people was just mashed together with the hopes that something intriguing would arise from this mashing. Hint: this doesn’t happen.  This whole story, in fact, seems rushed and rough.

If the Seven Sisters series seems long, check out the list for The Gulf Coast Paranormal Series:

GULF COAST PARANORMAL Season One (featuring Midas, Cassidy and Sierra)

#1 The Ghosts of Kali Oka Road

#2 The Ghosts of the Crescent Theater

#3 A Haunting on Bloodgood Row

#4 The Legend of the Ghost Queen

#5 A Haunting at Dixie House

#6 The Ghost Lights of Forrest Field

#7 The Ghost of Gabrielle Bonet

#8 The Ghost of Harrington Farm

#9 The Creature on Crenshaw Road

#10 A Ghostly Ride in Gulfport

#11 The Maelstrom of the Leaf Academy

#12 The Ghosts of Phoenix No 7

#13 The Ghosts of Oakleigh House

#14 The Spirits of Brady Hall

#15 The Gray Lady of Wilmer

Bonus The October People (A Gulf Coast Paranormal Extra)

GULF COAST PARANORMAL TRILOGY

#1 Ghosted

#2 Haunted

#3 Spooked

#4 Dead

#5 Paranormal

Gulf Coast Paranormal Season One Boxed Set

GULF COAST PARANORMAL SEASON TWO (featuring Sierra and Joshua)

#1 The Wayland Manor Haunting

#2 The Beast of Limerick House

#3 The Haunting at Goliath Cave

#4 The Skeleton’s Key

#5 Death Among the Roses

#6 The Spiritus Mirror

Bonus Horror Ever After (A Gulf Coast Paranormal Extra) 

What an insane list!  So, will I read on?  My answer is NO.  Put more crudely, No fucking way!


My final thoughts

M.L. Bullock has plenty of fans. Just check out her Amazon reviews. She has found her niche within the Southern gothic and romance genre.  I prefer authors that don’t restrict themselves to  a certain sub-genre the way Bullock does. By doing so, it can come to a point where the genre itself dictates the story. Bullock’s books come close to this example. They rely heavily on formulas and overserialize the story, falling prey to the sterile ratio  “quantity over quality”.  (That’s my “q-tip” for the day. Ain’t I funny?) That said, the author has a knack for good story telling, character writing, and world building.

I promised to go forward, at least with the The Ghosts of Summerleigh series. This doesn’t mean I’m pushing aside other books on my reading list and diving straight into “Summerleigh”.

Summer is ending, folks, at least here in Chicago.  So give me some time, will ya?

One more thing – the author’s name is Monica Bullock. Such a pretty yet distinguished name! I prefer that to M.L. Bullock. Easier to remember and somehow more authorlike than the pretentious two initials/one last name bit.  That’s only my opinion.  Others will disagree.  Fair enough.  

Get ready, readers, Halloween will be here soon, and I will wanna do cool, spooky things here at this blog!

 

The House Next Door – Anne Rivers Siddons – Review and Analysis

HOuseNextDoorSiddons2I love a haunted house that does its own thing. Such a house births a kind of haunting that is unique from its predecessors and peers.  And yet, it’s  willing to learn from them. Within its walls the traditions and motifs established by the great literary haunted houses are respected. However, this house is determined  to creak and settle to its own moaning boos. Its foundation is secure in pre-established themes while its structure expands into new, terrifying space. Where, you might ask,  might I find such a haunted  house? Look no further  than the “house next  door!”

Hi there, welcome to my article about Anne Rivers Siddons’ critically  acclaimed  novel The House Next Door. All is fine with Walter and Colquitt  Kennedy, the two major characters of this novel. They live in a quiet suburb of Atlanta and admire the empty lot next door with all its greenery and naturesque habitation. But move over nature, for a new house will be built on this lot. With the new house will come new neighbors, a succession of them, for no one will stay in this house  for very long. After several mysterious  and unfortunate events involving the new house and its  different  occupants, Walter and Colquitt suspect that the place is haunted. They then will do whatever it takes to steer potential buyers away from this evil house.

This piece is more than a review; it’s an analysis of the various themes that help this novel to both earn it’s rightful place among  genre-specific greats while offering readers something unique.  Since I will be looking  at key plot points in order to achieve my analytical  goals, there will be spoilers throughout the article. They are simply unavoidable.

In past articles, I have declared  my love for “haunted houses that are more than the sum of their ghosts”. Stories with such houses don’t fit into a logic paradigm that states: there are ghosts in the house. Therefore the house in the story is haunted. These stories feature a house that is haunted in and of itself, with or without ghosts. The House Next Door  haunts without ghosts. Ghosts represent the intangible  yet powerful images and sentiments  from the past. Within Gothic literature, ghosts from a bygone era often return to haunt the contemporary generations. The House Next Door is classified as a Southern Gothic, a subgenre of Gothic Literature. Works within The Southern Gothic often explore contemporary social issues. This is true with Siddons’ novel and in doing so, it inverts the premise of the parent genre – the “haunting present” tears at the characters traditional and comfortable way of life.

Gothic in Brief

I have delved into some of the elements of Gothic Literature in various articles across this Blog but by no means am I an expert on all there is to know about this genre.  Gothic Literature, from its roots in the 18th century, brings together romance, fantasy, suspense and horror. Its influence on modern day storytelling is vast. It’s sort of like what The Beatles are to modern day music.   My “ghosts from the past” description in the preceding paragraph is but one of its many elements. Ah but what an interesting element it is!

Different time periods are often juxtaposed in Gothic literature.  Eras clash with one another. There is the failure of modern science to combat vampirism in Bram Stoker’s Dracula. Modern science has finally achieved the ability to create life in Mary Shelley’s Frankenstein, but the scientist is unable to control his own creation.  More apt to what I might call “the gothic haunted house tradition”,  characters are forced to atone for the sins of past generations. These characters have to deal with ghosts and other supernatural entities, or  even supernatural events, as a form of retribution. This happens in The House of Seven Gables by Nathaniel Hawthorne and to some extent in The Fall of the House of Usher by Edgar Allan Poe.  Think about it, another word for “haunt” might be “linger”.  To linger is to stay. Whatever is lingering is old, meaning, it was there before. It may no longer be wanted. Yet it lingers, to the horrific detriment of the characters in a horror novel.

Southern Gothic and “Then Vs Now”

The Southern Gothic is a uniquely American expansion of the Gothic tradition. Like with its parent genre, I am by no means an expert on its character.  I know by its title that it pertains to settings in the American south. But what else is it?   Here are some quotes from Wikipedia to help answer that question:

The Southern Gothic style employs macabre, ironic events to examine the values of the American South .Thus unlike its parent genre, it uses the Gothic tools not solely for the sake of suspense, but to explore social issues and reveal the cultural character of the American South – Gothic elements often taking place in a magic realist context rather than a strictly fantastical one.

Warped rural communities replaced the sinister plantations of an earlier age; and in the works of leading figures such as William Faulkner, Carson McCullers and Flannery O’Connor, the representation of the South blossomed into an absurdist critique of modernity as a whole.

AND

The thematic material was largely a result of the culture existing in the South following the collapse of the Confederacy. It left a vacuum in both values and religion that became filled with poverty due to defeat in the Civil war and reconstruction, racism, excessive violence, and hundreds of different denominations resulting from the theological divide that separated the country over the issue of slavery.

A key takeaway from these quotes points to the subject of time and change. That was the past, this is the now. In some cases, The Southern Gothic conforms to the “ghosts of the past” scenario. Toni Morrison’s Beloved provides such an example as the horrors of slavery return many years later in the form of a young, undead woman. But, according to Wikipedia, stories of  the Southern Gothic tradition deal with situations where characters are unable to adjust to modern times. These folks might just prefer some “ghosts of better times”. Don’t get me wrong. I’m not making a case for the descendants of aristocratic plantation owners to return to the “glory days” of “the good life” on the backs of slaves. I’m just pointing out that anytime there is social upheaval, there will be serious adjustment problems, for both the oppressed and the oppressors. .

Not having read much in the way of classic Southern Gothic, I am guessing that what I have described in the above paragraph applies significantly to period pieces immediately post antebellum. But there is contemporary Southern Gothic; stories that take place in the modern day South, where characters are historically far removed from the days of slavery and the “Old South”  Still, one element is the same – the theme of larger, outside cultural forces threatening the pre-established ways of insulated communities. Newness “haunts” the old.

Case in point, The House Next Door.  From Simon and Schuster, here is an observation on the novel:

An unparalleled picture of that vibrant but dark intersection where the Old and the New South collide.

The characters in The House Next Door are content and cozy in their private suburb of Atlanta. They are all neighbors. They are well-to-do and they enjoy each other’s company at holiday house parties and country clubs.  It’s a leisurely life until…a new house is constructed on an empty lot on the block. New house, new neighbors. There goes the neighborhood, brought down by the supernatural elements that come with the new house.

Since this isn’t a story about the past coming back to haunt the present day characters, this house has no need to outsource its terror to a bunch of spectral phantoms. It does the job all by itself, and brilliantly so, thanks to the mind of one Anne Rivers Siddons. This house creates horrific situations that no other house has been able to do, at least not in the haunted house books that I have read. In the next section I detail these situations while examining exactly how outside and modern cultural forces threaten the pre- established ways.

 Analyzing The House Next Door – Checking Out the New Neighbors

To begin, the official story of the house is that it preys upon the weaknesses of its  HOuseNextDoorSiddons3occupants. Or, it knows what its  occupants cherish the most, and it rips and tears at the seams all that they hold dear. The malicious  intentions of the house are rooted in either the architect, the architectural  design or both. The Kennedys guess that the architect is cursed, and this is why the house  behaves the way it does. At the book’s end, the architectural plans end up in the hands of a couple that want a newly built home. Readers then know that the “haunting” is embedded in the design. Very creative, Siddons!

There is not a whole lot of description regarding the overall appearance of the house. The key takeaway is that is new, not just “new” to the block, but “new” as in “of modern design”, contemporary, state of the art. The architect himself, Kim, is a young man, fresh out of school, and somewhat of the bohemian type. It’s his first architectural design. Once built, the Kennedys, who weren’t too happy about its construction,  had to admit that it was beautiful. The couple that hired Kim to design the house and then have it built for them, The Pie and Buddy Harralson, are young and inexperienced. Pie Harralson is somewhat  flighty but as a whole they are nice enough  and the Kennedys welcome them warmly. The Harralsons  are expecting  a baby.

Problems began during the construction process. The dead remains of wild animals and household pets turn up on or around the construction  site. They have been brutally mauled, but there are no predatory animals in the area strong and fierce enough to cause such damage.

(Analysis: Suburbanization  and modernity are the predators. Land for wildlife destroyed  by a modern domicile)

Then there was the accident. Pie falls at the site and loses the baby to miscarriage.Off to a bad start but determined to carry on, the Harralsons settle in once the house is finished. They have a party and invite the neighbors. They are determined  to fit into this community and things will work out all right – they hope. Buddy is an up and coming  lawyer and Lucas Abbott from the firm is showing him the ropes. Lucas is at the party. So is Pie’s crotchety father  and all of the neighbors, including  Walter and Colquitt, their brand new best friends.

Then it happened. In a bedroom. Behind closed  doors. When  the doors opened  and the guests peered inside, they saw a disturbing  scene. The body of Pie’s ‘s father lay  dead  on the floor. He was a victim of a stroke. In the bed lay Buddy and Lucas, not dead, very much alive. They are naked. Two men sneak off to have sex, presumably  in front of a shocked  father-in-law, who died as a result of shock.

(Analysis: in these days, 1978, while the gay rights movement  was making strides, the culture at large frowned upon Homosexuality. At best  it was scene as an alternative lifestyle, an “alternative” that I’m sure the characters of this story, secluded characters in Southern suburbia, would find very uncomfortable After this Harralsons move away in grief and shame The book suggests  that the two men in bed were never gay. The house, perhaps, took control of their wills and forced  them into that socially mortifying  situation. It allowed the social ills of modern life (from their perspective, Homosexuality  = an ill) to spill into  its walls and wash its filth upon the occupants, even killing the father in law in the process. The old have no place in this new world.)

A new couple buys the house. The Sheehans are older than the Harralsons. Like the Harralsons, Anita and Buck Sheehan are eager to fit into the community. But for some reason, they are worried about the teenagers that live in the community. The neighbors  reassure them, “They are good kids”, they say, referring  to the only two teens in the neighborhood.  But it’s not the propensity of youthful shenanigans that worries them. Anyone of youthful appearance  upsets the mentally unstable Anita. Not too long ago, the Sheehans lost their son in The Vietnam  War. The sight of a young male teen triggers within her a crippling grief. But she is trying to get better. The couple as a whole are trying to move on, start over, find happiness. The house will not let them succeed.

The house takes over the television programming. It shows Anita war movies when none are being aired by any network. It also manufacturers  long distance phone calls from her son. She hears  the sounds of war in the background. This is too much for her. She withdrawals and the marriage is strained. Virgina, another neighbor, married to Charles,  assists the couple and looks after Anita while Buck is at work. Virgina sometimes stays behind to help even after Buck gets home. It is Colquitt who walks in on the scene  that does the Sheehans  in. She observes Anita in her  living room sitting and staring blankly into space. Next to her, on the sofa, Virgina and Buck are having sex.. Again it is suggested that the house took over the wills of Buck and Virginia in order to destroy  two families. In the wake of this, Virginia and Charles  disappear on a long trip. The Sheehans move away.

(Analysis: The plight of the Sheehans represents the then present day crisis that was the aftermath  of The Vietnam  War. Families grieved for their lost children killed at war. Veterans had a difficult time readjusting to society. The aftermath of this war in particular was dealt with behind  closed doors.  People grieved privately. Veterans suffered in silence. A community  such as the one depicted in this book, of mostly well to do families that didn’t have to send their sons off to war, was Ill -prepared  for this kind of brutal reality. But the house magnifies the tragic grief of the Sheehans so that the misfortune  would spread  to another family on the block, tangling Virginia into an adulterous affair.)

Finally  there is the Greenes, the third family to move into the house. Norman Greene is always publicly shaming his wife Susan. He also treats Melissa, the twelve(?)- year-old daughter  with utter contempt. As a host at neighborhood party, he wants everything perfect and he blames his wife for any mishap. When the house itself shuts off all the electricity at the height of the party, he blames her. It is Anita who comes from money. Norman thinks he’s entitled to have and manage her money and she lets  him do this. Why? Because he did her the favor  of marrying her. For you see, she had brought shame  on herself and family by having a child  out of wedlock. That child would be Melissa, who is not Norman’s biological daughter.  In the end, the house will kill them all by manipulating their wills to commit murder/suicide.

(Analysis: Dysfunctional  families on a block of “normal” families. Back in 1978, among some populations I’m guessing, having a child out of wedlock was still somewhat of a taboo. The term “baby Daddy” was just not popular  parlance. Then on top of this is the abusive husband, his words and actions so caddish as to rub the neighbors the wrong way. Although the house did not create this situation, it certainly brought it to light by humiliating Norman, causing him to lash out, causing, eventually, for their  backstory to be made known.)

The House Next Door – Standing Among the Great Haunted Houses in Literature

Inside “the house next door” we the readers encounter a series of families and couples that fall victim to the enigmatic will of the house. It manipulates their mind and forces  them to behave in ways they wouldn’t  otherwise. They cause scandals with adultery,  gay sex, murder and suicide. All this and yet these families aren’t the victims that are at the forefront of the story. It is from the perspective of Walter and Colquitt by which the story unfolds. It’s not the horror of personal experience  with the supernatural (with one exception, but I won’t spoil everything) , but the horror of the aftermath  of sadness on behalf of the others. Never again will they have normal, happy neighborhood because the world is no longer normal. Abnormality has put its roots down on their block, and their lives will never again be the same. For a modern house has brought the ills of contemporary  life into their secluded community. The Old  and New South have collided, just as Simon and Schuster said it would, making Siddons’  novel a staple of contemporary Southern Gothic

The House Next Door  is no ordinary haunted house. Yet it is very much influenced by the legendary haunted houses from its  literary  predecessors; books such as The Haunting of Hill House, Burnt Offerings, The Shining come to mind. But it’s paid its debt to them with a style of its own.

How is The House Next Door similar to these epic haunted houses?

All of the houses in these books have their own will. They are much more than a place for ghosts to hang out, if there are any ghosts at all. The source behind the haunting is vague and mysterious. These houses are, in a way, alive and they prey on its occupants in one way or another.

How is The House Next Door different from these epic haunted  houses?

The aforementioned haunted houses are all unique in their own ways. The House Next Door stands apart from the rest in the way that it manipulates the will of its occupants and then creates these bizarre scenes for which the occupants become actors and then act out perverse, humiliating, and sometimes deadly scenes. This house is also unique in the  way that it is shown from the perspective  of not is current owners but the neighbors next door. These neighbors , The Kennedys , are forced into a situation where they become unwilling voyeurs of the scary strangeness that lurks next door.

SiddonsAnne Rivers  Siddons – she has many  books  under her belt. According  to wikipedia, Her genre is southern literature, not horror. Perhaps that’s what helps her novel The House  Next Door stand out. Horror doused within another genre allows for a wider and more enriching story than a tale with flat characters and things that go bump in the night.  Perhaps  I’ll read more of her works. I probably  won’t find another horror story, but maybe  I’ll find another  book of hers that touch on that good ol’ Southern Gothic. That would be interesting.